With a two weeks of time between the shoot and final delivery, this spot for Sony was a nice challenge for the whole team. Thanks to the good on-set work, I could easily make the first version of the lighting and shading for the whole movie. From then on I continued improving the overall look incrementally. In the last stages of the project I also helped with the pre-compositing. Even in the overtime hours, I didn’t feel stress or urgency, to a big extend due to the calm attitude of the studio producers. Working with the Minivegas team was easy, fast and pretty much pure fun.